Posts tonen met het label Women. Alle posts tonen
Posts tonen met het label Women. Alle posts tonen

zaterdag 18 januari 2014

Ana Rossetti 'Where is my man'.




Se puede decidir escribir en prosa o en verso pero la poesía no tiene nada que ver con la intención, brota porque sí.

One can decide to write in prosa or in verse but poetry has nothing to do with the intention, it unfolds…just like that.


Ana Bueno de la Peña / Ana Rossetti  San Fernando (Cádiz) el 15 de mayo de 1950
 

Where is my man

Nunca te tengo tanto como cuando te busco
sabiendo de antemano que no puedo encontrarte.
Sólo entonces consiento estar enamorada.
Sólo entonces me pierdo en la esmaltada jungla
de coches o tiovivos, cafés abarrotados,
lunas de escaparates, laberintos de parques
o de espejos, pues corro tras de todo
lo que se te parece.
De continuo te acecho.
El alquitrán derrite su azabache,
es la calle movible taracea
de camisas y niquis, sus colores comparo
con el azul celeste o el verde malaquita
que por tu pecho yo desabrochaba.
Deliciosa congoja si creo reconocerte
me hace desfallecer: toda mi piel nombrándote,
toda mi piel alerta, pendiente de mis ojos.
Indaga mi pupila, todo atisbo comprueba,
todo indicio que me conduzca a ti,
que te introduzca al ámbito donde sólo tu imagen
prevalece y te coincida y funda,
te acerque, te inaugure y para siempre estés.




I never have you so much as when I search for you
Knowing beforehand that I can not find you
Only then I'll allow myself to be in love
Only then I'll loose myself, in a enamel jungle
Of cars or carrousels, overcrowded café's
Shop windows, labyrinths in parks
Or mirrors, because I run after it all
After what you would like
And then I'll be lying in wait………

[Partially translated by ©EYVD]





Chico Wrangler

Dulce corazón mío de súbito asaltado.
Todo por adorar más de lo permisible.
Todo porque un cigarro se asienta en una boca
y en sus jugosas sedas se humedece.
Porque una camiseta incitante señala,
de su pecho, el escudo durísimo,
y un vigoroso brazo de la mínima manga sobresale.
Todo porque unas piernas, unas perfectas piernas,
dentro del más ceñido pantalón, frente a mí se separan.
Se separan.

De "Indicios vehementes" 1985



El conjunto de su obra se caracteriza por una amplia gama de registros y de géneros. Ha combinado a lo largo de su vida el teatro, la poesía y el género narrativo. Su obra es un mezcla de erotismo, esteticismo y culturalismo.

Aunque es muy conocida por su obra poética, también ha escrito textos teatrales, un libreto para ópera (en torno a la figura de Oscar Wilde, estrenada en la Sala Olimpia de Madrid en 1993 y con música de Manuel Balboa), novela, libros para niños y relatos.

Ha obtenidovarios premios importantes como el Gules en 1980, La sonrisa vertical de la novela erótica en 1991, y Rey Juan Carlos en 1985 por su obra «Devocionario». Fue distinguida con la Medalla de Plata de la Junta de Andalucía.

Esta poeta gaditana se encuentra por derecho propio entre los mejores poetas españoles de la poesía española contemporánea. 









Links for translations  under "these words"



©Gavi Mensch
Maastricht, 17-1-2014
Jerez de la Frontera,  27-2-2005

All rights reserved 2014 

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maandag 25 november 2013

Internationale dag van uitbanning van geweld tegen vrouwen 25-11-2013




Wat, alweer een dag voor vrouwen? Het houdt niet op. Moederdag was al in mei en in Maart Internationale Vrouwendag, de actiedag van de vrouwenbeweging.

Tegen partner geweld werd enkele jaren geleden al een wereldwijde danspartij op 'vagina-dag' tegen vrouwengeweld gehouden

In Spanje slechts 600 vrouwen vermoord door hun partners in de afgelopen 10 jaar dat zijn maar 60 vrouwen per jaar? Maken we ons daar druk om?

Verder:

En de WHO heeft er een heel stuk aan gewijd, aan de cijfers wel te verstaan. De cijfers, de percentages en de gevolgen. 

Maar goed er zijn nog genoeg vrouwen over.
Amsterdam heeft zelfs een OVER-SCHOT (mooie omschrijving van de respectloosheid)

Die kunnen dan mooi 'gebruikt' worden als de prostituees van de wallen weg moeten.
Gebruikt ja, het percentage vrouwen(en kind)slaven is anno 2013 een pietseltje aan de hoge kant.

Het aantal vrouwen dat uitgehuwelijkt wordt voordat ze überhaupt zijn begonnen met menstrueren is schrikbarend. Jong geleerd, zou dat het zijn?

Het aantal slachtoffers van geweld tegen vrouwen zou omhoog gaan als iemand de onthoofde en gestenigde vrouwen eens zou turven. Moet kunnen, dat turven.

Ik ga er niet veel meer woorden aan vuil maken. Zoek zelf maar eens. Vreselijk lastig die vrouwen en dan nog ophef maken over een pak slaag of wat messteken.

Hoe heet die internationale Mannen Partij die een eind wil maken aan de enige levendbarenden die ook nog koken en de teringzooi van mannen opruimen ...inclusief de politieke teringzooi 


25-11 Internationale dag van uitbanning van geweld tegen vrouwen.

©Gavi Mensch
25-11-2013


zaterdag 9 november 2013

Gastblog: P.D. James' tips for Writers by Alison Feeney-Hart

I read this on the BBC site News Entertainment and Arts .
I was impressed by the useful tips of this bright lady:


P.D. James' top 10 tips for being a writer .

Although she didn't publish her first novel until she was 42, Phyllis Dorothy James had been writing since childhood.
Now a celebrated crime writer, she has penned more than 20 books, including The Children Of Men, and the Adam Dalgliesh mystery series.
At the age of 93, she says she wants to write just one more detective novel.
Here are her top 10 tips for being an author.
1. You must be born to write
You can't teach someone to know how to use words effectively and beautifully. You can help people who can write to write more effectively and you can probably teach people a lot of little tips for writing a novel, but I don't think somebody who cannot write and does not care for words can ever be made into a writer. It just is not possible.
Nobody could make me into a musician. Somebody might be able to teach me how to play the piano reasonably well after a lot of effort, but they can't make a musician out of me and you cannot make a writer, I do feel that very profoundly.
2. Write about what you know
You absolutely should write about what you know. There are all sorts of small things that you should store up and use, nothing is lost to a writer. You have to learn to stand outside of yourself. All experience, whether it is painful or whether it is happy is somehow stored up and sooner or later it's used.
I love situations where people are thrown together in unwelcome proximity. where all kinds of reprehensible emotions can bubble up. I think you must write what you feel you want to write because then the book is genuine and that comes through.
I believe that someone who can write, who has a feeling for words and knows how to use them will find a publisher. Because after all, publishers do still need to find new writers. We all get old and we die and that's that and there have to be successors.
3. Find your own routine
I think all we writers are different. It's interesting, isn't it, how different we are?
Some people have to have the room, the pen and others do everything on a computer. I write by hand and I can write more or less anywhere as long as I've got a comfortable chair, a table, an unlimited amount of biros to write with and lined paper to write on. And then the next day when my PA comes, which she does at 10 o'clock, then I've got quite a lot to dictate to her and she puts it on to the computer, prints it out and I do the first revision.
In a sense, therefore, I revise as I go. It's important to get up early - before London really wakes and the telephone calls begin and the emails pile up. This is the best time for me, the time of quiet in the morning,
4. Be aware that the business is changing
Goodness gracious, how the world of publishing has changed! It is much easier now to produce a manuscript with all the modern technology. It is probably a greater advantage now, more than ever before, to have an agent between you and the publisher.
Everything has changed and it's really quite astonishing, because people can self-publish now. I would once have thought that that was rather a self-defeating way of doing it but actually publishers do look at what is self-published and there are examples of people picking up very lucrative deals.
5. Read, write and don't daydream!
To write well, I advise people to read widely. See how people who are successful and good get their results, but don't copy them. And then you've got to write! We learn to write by writing, not by just facing an empty page and dreaming of the wonderful success we are going to have. I don't think it matters much what you use as practice, it might be a short story, it might be the beginning of a novel, or it might just be something for the local magazine, but you must write and try and improve your writing all the time. Don't think about it or talk about it, get the words down.
6. Enjoy your own company
It is undoubtedly a lonely career, but I suspect that people who find it terribly lonely are not writers. I think if you are a writer you realise how valuable the time is when you are absolutely alone with your characters in complete peace. I think it is a necessary loneliness for most writers - they wouldn't want to be always in the middle of everything having a wonderful life. I've never felt lonely as a writer, not really, but I know people do.
7. Choose a good setting
Something always sparks off a novel, of course. With me, it's always the setting. I think I have a strong response to what I think of as the 'spirit of a place'. I remember I was looking for an idea in East Anglia and standing on a very lonely stretch of beach. I shut my eyes and listened to the sound of the waves breaking over the pebble shore. Then I opened them and turned from looking at the dangerous and cold North Sea to look up and there, overshadowing this lonely stretch of beach was the great, empty, huge white outline of Sizewell nuclear power station. In that moment I knew I had a novel. It was called Devices and Desires.
8. Never go anywhere without a notebook
Never go anywhere without a notebook because you can see a face that will be exactly the right face for one of your characters, you can see place and think of the perfect words to describe it. I do that when I'm writing, I think it's a sensible thing for writers to do.
I've written little bits of my next novel, things that have occurred to me. I've got the setting already. I've got the title, I've got most of the plot and I shall start some serious writing of it next month, I think.
9. Never talk about a book before it is finished
I never talk about a book before it is finished and I never show it to anybody until it is finished and I don't show it to anybody even then, except for my publisher and my agent. Then there is this awful time until they phone.
I'm usually pretty confident by the time I've sent it in but I have those moments when I think, 'well I sent it to them on Friday, by Saturday night they should be ringing up to say how wonderful it is!'
I'm always aware that people might have preferences and think that one book is better than another.
10. Know when to stop
I am lucky to have written as many books as I have, really, and it has been a joy. With old age, it becomes very difficult. It takes longer for the inspiration to come, but the thing about being a writer is that you need to write.
What I am working on now will be another detective story, it does seem important to write one more. I think it is very important to know when to stop.
Some writers, particularly of detective fiction, have published books that they should not have published. I don't think my publisher would let me do that and I don't think my children would like me to. I hope I would know myself whether a book was worth publishing. I think while I am alive, I shall write. There will be a time to stop writing but that will probably be when I come to a stop, too.


By Alison Feeney-Hart © BBC News


I'm sure all the rights are reserved 2013


Gavi Mensch 
9-8-2013


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zaterdag 14 september 2013

gastcolumn: Kateri: Don't call me just a nurse






Sometimes I wipe bottoms, often I give meds, but that isn't the extent of what I do.
Don't call me just a nurse


In the first year of my career as a registered nurse, I continued my education, wrapping up my bachelor's degree in nursing, not yet a requirement to work as an RN but a well-worth-it continuation of a degree to make you a more well-rounded and, to be honest, respected nurse. 

One of the requirements for this degree was a course called "Professional Issues and Trends." The course explored the profession of nursing, barriers it is facing, and the way that we, as nurses, can change that.
I learned many things in that course, but the most important, the thing that has stuck with me the most, was this:
A few days into the course, our professor made one thing very clear: Each and every one of us, from that moment on, needed to remove "just a nurse" from our vocabulary.


"Are you a doctor?"
"No, I'm just a nurse."

I have spent six years since trying to avoid that phrase. More so, I have worked to avoid that feeling. I work hard at what I do, but I am often aware that my friends and family have no concept of what nursing is. 
I don't bring you to your room at the doctor's office, sit you on the table, and check your normal blood pressure, then go and get the doctor. Instead, I am often in a room with a small child on a ventilator, multiple intravenous medications infusing through central lines keeping the vascular system constricted or dilated. 
I monitor blood gases and adjust ventilator settings accordingly. If the blood pressure goes too high, I adjust the medications related to these values.
I keep my patient adequately sedated and paralyzed, for their safety, without over-medicating them. It is often my responsibility to determine this balance.

Recently, I had a nearly 2-year-old patient who pulled his own breathing tube out in the early morning. We weren't sure whether he would do okay without it, so I monitored his respiratory status closely all morning. By mid-afternoon, he seemed to be doing well enough. By then his sedation had worn off and he had no interest in staying in bed. Concerned that he would harm himself moving around through multiple IV and arterial lines, plus a BiPap machine, and monitor leads, I decided to hold him. 
He had no family present but needed close to a dozen IV medications over the next five hours. I collected them all and lined them on his bed. I pulled his syringe pump that would be used for the medications off of the IV pole and placed it on the bed in front of me. I lifted him out of bed and onto my lap, into my arms. For five hours we rocked and I held him close. He stared into my eyes, played with my hair with his one arm, tried to suck his thumb through IV sites and arm boards. I gave his medications one by one until the nurse who would relieve me for the oncoming shift came in.

I'm not just a nurse. I am a nurse. 

I can over the course of the 12-hours shift go from interpreting serial blood gases to comforting a sick child while continuing to monitor vital signs, respiratory status, and administer medications.

I am the eyes, hands, and feet of the physician.
I am not their eye candy or their inferior.
I don't stand up when they enter the room. 
I don't follow their orders, I discuss the pathophysiology of the patient's condition with them, and together we make a plan.
Often the things I suggest are the course of action we take and other times I learn something new I had not understood from this doctor. 
They don't talk down to me; we discuss things together.

I had an experience this weekend, one of the first of its kind for me, and I was surprised by how angry and affected by it I was.
A friend cut their arm and hours later still struggled to stop the bleeding. I assessed the wound and created a pressure dressing out of the supplies you have available in a frat house cottage.
I reluctantly informed the friend that the wound would likely need a stitch or glue. It wasn't large, but it was deep and wide and would likely heal poorly, if at all, and even if it didn't become infected would leave a decent scar. I am not one to jump to big medical interventions; if anything, I ride the line of noncompliant and under-concerned.

My opinion was shared but another guest, a doctor, decided it would probably be fine with a Band-Aid and heal without issues. He may be right, or I may be right. 

But a close family friend who I have known almost my entire life chimed in.
"No offense, Kateri," he said, "But obviously we're going with the doctor over the nurse for this one."
"You're just a nurse," he might as well have said, although he didn't.

I felt like I had been smacked in the back by a two-by-four. My best friend knew this would be my reaction and turned in horror as the color left my face and the posture left my shoulders. Something inside of me sunk.
The following day I struggled to understand why I was still upset. Surely he had no idea what his words had meant, or how they felt. But over lunch the following day, as I discussed my new job with my family, it became clear. 

My job is so much, and so much of it is misunderstood. And maybe this is no one's fault but my own. Sure, I'm a nurse. Yup, some days are sad. Yeah, blood and poop don't bother me.

But that's all I say. I don't tell you what I really do. And the media definitely doesn't either. Nurse friends, help me out here. 

Maybe it's time that we stop pretending we are less than we are, that we do less than we do.

I came across the following blurb this morning. I wrote it a few years ago for Nurse's Day, and it rings as true today as it did then.

I may not be a doctor, but I am a nurse. And if you are someone whose mind says "just a nurse" please, go ahead and ask the nurse you know best what it is that they do. I think you may be surprised.

I am a nurse. 
I didn't become a nurse because I couldn't cut it in med school or failed organic chemistry, but rather because I chose this. 
I work to maintain my patient's dignity through intimate moments, difficult long term decisions, and heartbreaking situations. 
I share in the joy of newly-born babies and miraculously-cured diseases. 
I share in the heartbreak of a child taken too soon, a disease too powerful, a life changed forever. 
My patient is often an entire family. I assess and advocate. 
Sometimes I wipe bottoms, often I give meds, but that isn't the extent of what I do. 
There are people above me, and people below. I work closely with both; without them, I could not do what I do well. 

I chose this profession and love almost every minute of it. I know I am not alone, and I appreciate all of the nurses who work alongside me. Many of them have shaped me into the nurse I am. Someday I will shape others into the nurse they will be. 

This wasn't my plan B.
 It was my plan A, and I would gladly choose it again.



This post originally appeared on According to Kateri.










NB  I totaly agree and I'm so glad someone wrote this down for me. 


Gavi Mensch
Nederland BV, 14-9-2013